Michael Jacobson is a writer, artist, publisher, and independent curator from Minneapolis, Minnesota, USA/Turtle Island. His books include an abstract illuminated manuscript titled id est: neo scribalist asemic expressionism, a prose poetry novella Somnolent Game (Post-Asemic Press), his collected asemic writing Works & Interviews (Post-Asemic Press), his autobiographical collection of senryu poems Hei Kuu (Post-Asemic Press), and his EP of sound/noise poetry Schizo Variations; he is also co-editor of An Anthology Of Asemic Handwriting (Punctum Books). In 2019, he was written up in the book Asemic: The Art of Writing (University of Minnesota Press) by Peter Schwenger; it has an entire chapter dedicated to Jacobson’s calligraphic work. In 2013, he was published in The Last Vispo Anthology (Fantagraphics). 2017 was the year Michael founded Post-Asemic Press, to publish asemic writing, visual poetry, experimental poetry, and audio recordings of sound poetry via Bandcamp. Besides writing books, he curates a gallery for asemic writing called The New Post-Literate. In 2017, he curated the Minnesota Center for Book Arts exhibit: Asemic Writing: Offline & In The Gallery. Other countries where he has curated exhibits of asemic writing include Mexico, Spain, and Malta. Currently, he operates Future Script Gallery, which is an online commercial gallery for asemic writing and visual poetry. In his spare time, he curates a cyberspace gallery of planets dubbed THAT: A Plan(et). Michael’s online interviews are at Poemeleon, SampleKanon, Asymptote Journal, Twenty Four Hours, David Alan Binder, GAS, Utsanga, Schizoaffective, and at Medium. In the past, he created the cover art for Rain Taxi’s 2014 winter issue. Michael also sits on the editorial board of the online magazine SCRIPTjr.nl. In 2010, he founded and still administers the asemic writing Facebook group. Here is Michael’s YouTube channel, and here is his Fine Art America shop.