Friday, September 17, 2021

Sample Pages from 'id est: neo scribalist asemic expressionism,' by Michael Jacobson

 


Here are 18 sample pages from my asemic writing pan-theistic illuminated manuscript titled 'id est' which is Latin for "that is." I learned a little Latin 11 years ago to quit smoking cigarettes. The book is currently a work-in-progress. I plan on releasing it in 2023. The book will be 73 pages in length because that's my birth year. I started the book in summer of 2021.

Sunday, September 12, 2021

Tuesday, August 31, 2021

Unwritings by Laura Ortiz is available now at Amazon! Post-Asemic Press #015


 Laura Ortiz' book Unwritings is available now at Amazon.

Laura best explains her work here: "Unwritings: A Journey to Visual Poetry presents the multidimensional visual poetry artwork of Laura Ortiz from 2016 to 2021. It tells the visual story of her quest of self-discovery as an avant-garde artist. As a member of the international avant-garde movement INISMO, each visual piece featured in this book displays a multidimensional treatment through the interaction of layers of colors, geometric shapes, photography, and automatic and composed symbolic language, saturating it with mysterious, mystic, arcane meanings. Automatic calligraphic writings, symbolic writings and visual elements interact with each other to create new itineraries of meanings, sometimes evoking the hieroglyphs from ancient cultures, past and present language systems of aboriginal civilizations, Chinese and Japanese characters, present spiritual esoteric systems of belief and practice, or the world itself, which is always evolving and changing."

Blurbs:

Laura Ortiz' Unwritings opens with her own introduction written in a kind of false Latin interspersed with other apocryphal languages, a great opening for a book in which possible archaic languages are suggested in a strongly visual context. Her introduction, however, is not completely without sense: “Ditaturiore quiam faciatur magnam volessu ntibusapel et liquunt eatet aliquo experruptisi sape perferest la consera tionsec estiandita volest, si comnis alia qui officiet laborro...”, which seems to be commentary about the type of writing she is interested in. Her works in the book are a melding of visual poetry, holographic abstract writing, drawing, and drawn writing. The result, rather than appearing to be a creation of fake archaic documents, is a very contemporary visual art, that includes writing as a kind of atmosphere, a colorant that adds an important depth or explanation to the overall impact, in that handwriting in itself is expressive of meaning, quite apart from any lexical content it might (or might not) have. It is no surprise that this Argentine/Canadian poet is associated with the international INI group and movement. Her work here, deeply colorful, and unique, has a strong transcultural and trans linguistic appeal. I look forward to seeing more of Laura Ortiz' work!

—Dr. John M. Bennett

 

One of the many qualities of Laura Ortiz’s visual work is her multiplication of graphic layers into a complex sequencing. Her Unwritings create an anti- or hyper- semantic environment, which brings to mind the construction of perspectives / architecture.  One isn’t sure if their eye is drawn to the quasi-texts or to the abstract lines and areas of color.

 

At the same time, these multi-layered interventions seem to be superpositions and overlapped strata forming a kind of coexisting drawings, or if you will, whose identity cannot be reduced to a single (restrictive) definition. No one side seems to prevail and assume the role of the first “code” on the page. All of them contribute to the overall impact that the piece has on the reader.

 

If one of the INI’s poetics statements describes “densely packed arrangements of letters, words, glyphs, and symbols” where often “images and abstract shapes are superposed”, it can definitely be said that most of the experiments Ortiz is practicing since (at least) the year 2016 –––up to now go in that direction. And she’s perfectly aware of it, as her afterword states.

 

The pages that are filled with single glyphs or waterfalls of simple intertwined signs bring our imagination to extremely far regions: maybe times past. When/where some letters appear to have an Etruscan impact we may see the cultural heritage of some Western civilizations. (And a kind of “legacy feeling” in the vast aesthetic field, too.)

 

Chessboards, orbits, dialogues between impossible languages, between volumes that face each other, and circles that recall Kriwet’s alphabets, invite us to and lead us through a journey.  That journey is both inside (but also outside!); series of signs which paradoxically appear to be alien because they’re actually deeply rooted in our mind.

—Marco Giovenale

 

Unwritings has brilliant, new dimensional and invented abstraction of visual poetry works. Get ready to dive in these spectacular avant-garde Masterpieces by Laura Ortiz.

—Dona Mayoora.

 

“Laura is a Persephone-Sophia; catching divine sparks and sharing their illuminations.”

“Laura Ortiz is a Decoder, a Journalist, Strong-of-Heart, a Journeyer, a Teller of Visions beyond the tale.”

—Kimm Kiriako

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Product details:

  • Publisher ‏ : ‎ Post-Asemic Press (August 12, 2021)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 105 pages
  • ISBN-10 ‏ : ‎ 1734866241
  • ISBN-13 ‏ : ‎ 978-1734866247
  • Item Weight ‏ : ‎ 7.5 ounces
  • Dimensions ‏ : ‎ 6 x 0.25 x 9 inches

Unwritings is available through Amazon:











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Sample pages from Unwritings:






Bio:

Canadian Avant-garde artist. Laura’s visual works and abstract poetry are packed with glyphs, letters and symbols superposed with abstract shapes. Her treatment of symbols, typography, letters, and shapes has helped her gain a place in the International Novatrice Infinitesimale _INI an avant-garde art movement founded in 1980 by Gabriel-Aldo Bertozzi at Café du Fiore in France.

 

Many of her works have been featured in exhibitions at contemporary art venues around the world, such as Asemic Writing Exhibition Mappature del Contemporaneo at Parco Archeologico in Scolaciumin, Italy; Concreta-Fetapoesia Asemic and Concrete Poetry Exhibition in Rome; Asemic Writing: Offline & in the Gallery at Minnesota Center for book art in USA; Muestra Latinoamericana de Poesia Visual Hotel Dada in the Museum of Contempary Art of Junin, Argentina; Asemic Tech Exhibit in Barcelona, Spain; and L’Aquila concrete and asemic exhibition in Italy, Arte in Dimora-Discovery of Urban Sites, Italy.

 

Also, I have been published in many of the major, influential visual poetry journals such as Berenice, Utsanga, Angry Old Man Magazine, Frequenze Poetiche, Dialogue, Angel House Press, Experiment 0, Brave New Word Magazine, Hotel Dada Magazine,  Aura Poesia Visual, and Women Asemic Artists & Visual Poets // WAAVe Global as well as blogs including Michael Jacobson’s Asemic: The New Post Literate: a Gallery of Asemic Writing , Marco Giovenale’s Differx_it, and De Villo Sloan’s Asemic Front.


Sunday, July 25, 2021

The Proof copy of Unwritings by Laura Ortiz has been delivered! Post-Asemic Press #015



Laura Ortiz's visual poetry, abstract calligraphic, graphic design masterpiece Unwritings is almost ready to be published by Post-Asemic Press. Laura has been hard at work putting this book together and she has done a fantastic job. She has taken something as simple as a line and transformed it into something mysterious, illuminated, and as wild as the universe. This book embraces color and doesn't look back, though there are a few stunning works in black and white included in the codex. Look for it to drop in August of 2021 from Post-Asemic Press. Sample pages and the book trailer will be forthcoming soon. This book is a perfect glorious read for late summer and heading back-to-school!    
 

Tuesday, June 22, 2021

Glyphs of Uncertain Meaning by Tim Gaze is available now at Amazon! Post-Asemic Press #014


Glyphs of Uncertain Meaning by Tim Gaze is available now worldwide at Amazon!

GOUM is the 14th title released by PAP. It has been an adventure assembling the book and we are proud to announce its launch.

"This is a collection of improvised handwritten glyphs, some of them recognizable and some not. Influences include visual poetry, Asian brush calligraphy, prehistoric rock paintings and marker pen graffiti. Part of a wave of "asemic writing", this book transcends language and nationality to arrive at something truly global. These glyphs encourage you to learn new ways of reading, and ask you to question your understanding of what writing is. Tim Gaze is also known for Asemic Magazine, the sound poetry album Shapes, and the graphic novel 100 Scenes."

—Tim Gaze


“Tim Gaze’s glyphs present the material remains of gestural improvisation. To ponder them is to look into the heart of raw creativity, the remains of the moment when brush or pen hit paper and moved according to the exigencies of the moment. The “meaning” of these glyphs is, of course, uncertain, but their source is not. Their source is in the same place where we realize possibilities in our own lives, moment by moment. These glyphs seize the moment in delicious ways.”

— Jefferson Hansen, Author of 100 Hybrids

“With this thoughtful, humorous, sensitive and fascinating book, Tim Gaze illuminates all the ways writing can be nonverbal, yet powerfully communicative. Single characters, massed textures, even quasi-pictorial elements all make an appearance here. A delightful encounter, indeed.” 

— Steven Skaggs, University of Louisville, Author of FireSigns

“By inviting us to read and ponder these pages, Tim Gaze is opening the box of a game without rules –a game of communication that uses gestural marks he calls glyphs. Deliberate reading and pondering enables one to contemplate some of our most delicate linguistic issues — without being encumbered by words.” 

— Rosaire Appel, Author of

Zinc Zanc Zunc: An Asemic Conjugation


Product Details:

  • Publisher ‏ : ‎ Post-Asemic Press (June 20, 2021)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 234 pages
  • ISBN-10 ‏ : ‎ 1734866233
  • ISBN-13 ‏ : ‎ 978-1734866230
  • Item Weight ‏ : ‎ 14.7 ounces
  • Dimensions ‏ : ‎ 6 x 0.59 x 9 inches

Here are links to purchase Glyphs of Uncertain Meaning at Amazon:



Here are some sample pages from GOUM:






Since the late '90s, Tim Gaze has been active as a poet, writer, publisher, and performer. In particular, he has been very involved in the field of asemic writing, publishing Asemic Magazine and setting up the first website, www.asemic.net. His works include the graphic novel 100 Scenes, glitch poetry collection noology and sound poetry album Shapes. Recently, he completed a degree in linguistics, and hosts the radio show Sound Poetry etc. Dance music such as batida by the Principe Discos artists gets him going. The Adelaide Hills of Australia, in the traditional lands of the Peramangk people, is his home.